Installation view
Each painting comprises four wood panels on which three roses in full bloom are depicted in pulsating colours, ranging from deepest burgundy to tangerine, gold, violet and crimson, set against a background of vibrant turquoise. Inscribed on the last panel of each painting are fragments from Rilke's poem cycle "The Roses." Stanzas scrawled in a gestural mode reflect Twombly's characteristic conflation of painting and poetry, image and word...Some aspects of Twombly's new works recall his earlier cycle of paintings, Analysis of the Rose as Sentimental Despair (1985), now in The Menil Collection, Houston, which also referred to quotations by Rilke, as well as Rumi and Giacomo Leopardi, embracing conceptions of nature dominated by its inevitable demise....
Excerpt from the Gagosian Gallery London exhibition, February 12 - May 9, 2009
Excerpt from the Gagosian Gallery London exhibition, February 12 - May 9, 2009